![]() Along the way I taught myself how to use DaVinci Resolve and began relying on it to generate dailies. In the years since I’ve moved into shooting more and more commercial work on higher quality cameras. That made such an impression on me that I used FilmConvert to grade my first feature-length documentary, which was shot on a pair of Canon 60Ds. ![]() With my Canon DSLRs, all I had to do was drop FilmConvert on a clip, and something magical happened. The skin tones suddenly looked human and alive. A lot of the time, I couldn’t even put my finger on why. No matter what I tried, they just didn’t look right. ![]() When I started filmmaking with a DSLR about 7 years ago, I discovered that the most difficult thing to get right in post production was skin tones.
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